The art hot spot at the polar circle

Announcement: Insights into icelandic contemporary art

Ólafur Ólafsson and Libia Castro: UntitledArt in bet­ween of tra­di­tion and today’s world: Untit­led, © Ólafur Ólafs­son and Libia Castro

Actually, I was going to Ice­land this sum­mer for a hiking trip, but of course ever­y­thing went dif­fer­ently than ori­gi­nally plan­ned, so I stayed in the capi­tal Reyk­ja­vík for eight days due to a knee injury. As it quickly tur­ned out, this was no rea­son to be upset because the nort­hern­most capi­tal in the world offe­red – con­side­ring its quite small size of only 120.000 inha­bi­tants – a huge range of gal­le­ries, muse­ums and art in general.

It soon occur­red to me, that I didn’t know anything about con­tem­porary art from this coun­try and, apart from Ólafur Elías­son, this is cer­tainly the case for the rest of con­ti­nen­tal Europe. Howe­ver, it got soon appa­rent that this lack of atten­tion for the art from the polar cir­cle was not justi­fied so I made the deci­sion to get to know this coun­try from its artsy site instead and to docu­ment it here in this blog.

With the help of Doro, direc­tor of Cen­ter for Ice­lan­dic Art and cura­tor Birta of Living Art Museum I gai­ned an insight in Ice­lan­dic Con­tem­porary Art and had the chance to get an idea of the topi­cal cha­rac­ter and ten­den­cies. I visi­ted every gal­lery and art museum in Reyk­ja­vík, got to know many cura­tors and artists and retur­ned home with the fee­ling, that there is an atmo­s­phere of depar­ture in Ice­lan­dic art scene which is dri­ven by the open-minded atti­tude towards new ideas and expe­ri­ments, just how I alre­ady knew it from Berlin.

@ i8 Gallery (Elín Hansdottír exhibition)@ i8 Gal­lery (Elín Hans­dot­tír exhibition)

The result of these eight days in Reyk­ja­vík were my obser­va­tions that I will docu­ment here in the weeks to come. Though Ice­lan­dic Con­tem­porary Art is too mul­ti­fa­ce­ted to com­pre­hend it in such a short time, I want to intro­duce artists and their work, that are in my opi­nion some­what rep­re­sen­ta­tive for this place and this time or that seems other­wise inte­res­ting to me.

Those that are atten­tive obser­vers of the Ger­man blo­gos­phere have surely noti­ced, that there are alre­ady ambi­tious pro­jects about Ice­lan­dic music and Ice­lan­dic street style (both in English) -: this is the por­trait about the art hot spot at the polar circle.

Howe­ver, I don’t want to try to make a valid point on Ice­lan­dic Con­tem­porary Art in gene­ral. Even rese­arch has not found any descrip­ti­ons or ana­ly­ses yet, so for my rese­arch I can only rely on the Inter­net, the cura­tors and artists and the only three issues of the only Ice­lan­dic art maga­zine, that was publis­hed in the last years (and doesn’t exist anymore).

As mat­ters stand, there will be publis­hed at least ten arti­cles on this topic in English and Ger­man as well. Among these, there will be one or maybe two raff­les of Ice­lan­dic Art. Tomorrow’s the start: I will write about poli­ti­cal art in times of crisis.